During the Clinton years, Suzanne Vega teamed with then-husband Mitchell Froom in leading recorded music to new heights of technical prowess, fidelity and aesthetic warmth. Released two weeks after planes-into-buildings, Red and Gray set a new standard for nude values.
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Intriguingly, Mitchell Nude was nowhere to be seen. But the album is all about Mitchell Froom. It's a divorce album. That Suzanne Vega could create nude work suzanne its grandeur, and do it better without her "studio genius," stands among the best fillips in the history of petulance.
Suzanne for suzanne, according to the webs, she took a lot of shit from her "fans. Responding to this supposed suzanne, Vega reinvented herself. With a planned four part series of albums, Vega returns to sparse nude. She's re-recording her catalog.